I first came across the work of Australian artist, Frank Payne in 1984, when I bought a small panel painting, some sketchbook drawings and a portrait of her friend, Jessie Traill.
Frances (Frank) Mallalieu Payne (1885-1976) artist and illustrator, was born on 7 May 1885 at Kangaroo Point, Brisbane, daughter of English-born parents Arthur Peel Payne, a hospital administrator, and his wife Julia Finch, née Batchellor. Frank (as she was known) was educated at All Hallows' Convent and Brisbane Technical College where she trained as a portrait painter under Godfrey Rivers and learned etching and block-making. She exhibited with the Queensland Art Society. Accompanied by her mother, she sailed for England in March 1905. In Paris for nine months, she enrolled at the Académie Colarossi, and then studied at the École Nationale Supérieure des Beaux-Arts. At 'La Grande Chaumière' she was taught black-and-white work by Théophile-Alexandre Steinlen. Back in London, she worked in Frank Brangwyn's studio and did her most serious study there. During the summers she travelled extensively through England (1905), Brittany, France (1906), and elsewhere on the Continent (1907).
For two and a half years Payne had written regular articles for the Brisbane Courier about her experiences. Returning to Brisbane in September 1907, she began freelance design work for the Courier and the Bulletin; she also produced commercial catalogues for Finney Isles & Co.'s department store and illustrations for the Queenslander. The Australasian Union Steam Navigation Company sent her on cruises so that she could write and illustrate their travel brochures.
By 1916 Payne was living in Sydney. She illustrated catalogues for David Jones Ltd's and Farmer & Co. Ltd's department stores, drew covers for the Australian Woman's Mirror, and drove her own motorcar. At Neutral Bay on 24 August 1921 she married with Presbyterian rights Andrew Patrick Clinton, a 36-year-old superintendent stevedore from Ireland and a divorcee. They had two sons, but separated in 1928. Continuing to be known professionally as Frank Payne (though often referred to as Mrs A. P. Clinton) she supported herself and her children from her catalogues, magazine covers and part-time work for the Bulletin. Reputedly, she was among the nation's highest paid women.
In contact with many prominent women artists, Payne numbered among her friends Jessie Traill, Ethel Carrick Fox and the writer Dorothea Mackellar. She promoted the careers of young artists such as Daphne Mayo and Lloyd Rees. Payne had joined the Society of Women Painters in 1919, served on the society's committees and council for many years, and, from 1921, contributed to every annual exhibition. Her oils and watercolours were frequently studies of children (including her own) in unposed settings, as well as landscape and genre paintings. Founding president (1934) of the Women's Industrial Arts Society, she was awarded King George VI's coronation medal in 1937.
Now an almost forgotten figure in Australian art between the wars, I hope to find more of her early Brisbane creative work.
Frances (Frank) Mallalieu Payne (1885-1976) artist and illustrator, was born on 7 May 1885 at Kangaroo Point, Brisbane, daughter of English-born parents Arthur Peel Payne, a hospital administrator, and his wife Julia Finch, née Batchellor. Frank (as she was known) was educated at All Hallows' Convent and Brisbane Technical College where she trained as a portrait painter under Godfrey Rivers and learned etching and block-making. She exhibited with the Queensland Art Society. Accompanied by her mother, she sailed for England in March 1905. In Paris for nine months, she enrolled at the Académie Colarossi, and then studied at the École Nationale Supérieure des Beaux-Arts. At 'La Grande Chaumière' she was taught black-and-white work by Théophile-Alexandre Steinlen. Back in London, she worked in Frank Brangwyn's studio and did her most serious study there. During the summers she travelled extensively through England (1905), Brittany, France (1906), and elsewhere on the Continent (1907).
For two and a half years Payne had written regular articles for the Brisbane Courier about her experiences. Returning to Brisbane in September 1907, she began freelance design work for the Courier and the Bulletin; she also produced commercial catalogues for Finney Isles & Co.'s department store and illustrations for the Queenslander. The Australasian Union Steam Navigation Company sent her on cruises so that she could write and illustrate their travel brochures.
By 1916 Payne was living in Sydney. She illustrated catalogues for David Jones Ltd's and Farmer & Co. Ltd's department stores, drew covers for the Australian Woman's Mirror, and drove her own motorcar. At Neutral Bay on 24 August 1921 she married with Presbyterian rights Andrew Patrick Clinton, a 36-year-old superintendent stevedore from Ireland and a divorcee. They had two sons, but separated in 1928. Continuing to be known professionally as Frank Payne (though often referred to as Mrs A. P. Clinton) she supported herself and her children from her catalogues, magazine covers and part-time work for the Bulletin. Reputedly, she was among the nation's highest paid women.
In contact with many prominent women artists, Payne numbered among her friends Jessie Traill, Ethel Carrick Fox and the writer Dorothea Mackellar. She promoted the careers of young artists such as Daphne Mayo and Lloyd Rees. Payne had joined the Society of Women Painters in 1919, served on the society's committees and council for many years, and, from 1921, contributed to every annual exhibition. Her oils and watercolours were frequently studies of children (including her own) in unposed settings, as well as landscape and genre paintings. Founding president (1934) of the Women's Industrial Arts Society, she was awarded King George VI's coronation medal in 1937.
Now an almost forgotten figure in Australian art between the wars, I hope to find more of her early Brisbane creative work.
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